CONSTANCE are a project-based, Artist-Run Initiative, led by a board of volunteers. We create paid opportunities for early career arts practitioners to develop and present innovative and experimental work in varied settings. CONSTANCE provide artists with critical support, resources, and audience engagement to realise quality projects.

CONSTANCE projects are situated in, and responsive to, a wide variety of sites. Our projects have occupied historic buildings, vacant real estate, underground spaces, city streets, arts festivals and partnered within conventional galleries.

CONSTANCE’s site-less model minimises ongoing administrative expenses, allowing us to position artist remuneration and production quality as the priority of all our projects. Furthermore, this model allows CONSTANCE to be flexible and adaptive, pushing the organisation into ambitious, new territory with every show.



THE BOARD OF CONSTANCE 2018

Priscilla Beck
Priscilla Beck is an artist and writer currently based in Hobart, Tasmania. Priscilla completed her Bachelor of Fine Arts at the Queensland College of Art, Brisbane in 2011, and received Honours (first class) from the University of Tasmania, Tasmanian College of the Arts in 2016. Priscilla was a founding member of Addition ARI, currently sits on the board of Constance ARI, and was an Artist In Residence at UTas in 2017. Her work has been shown both locally and interstate. She currently holds a studio at Contemporary Art Tasmania.Priscilla creates subtle, object based installations that work with the inherent qualities of materials and space to dictate how they will be manifest. Making associations between things and things, between materials and space, between ideas and objects, her works are self-referential to the point of nonexistence, yet each retains the potential to act as allegories on the nature of things. Through their relationship to process and material, the absence of overt didacticism, and their apparent rejection of a cohesive medium, the works incidentally critique the space they occupy in the art world. There is an innate self-consciousness in each work that speaks to the problems of being human, and of being a human making art.


Caitlin Fargher

Pirrin Francis

Grace Herbert

Rebecca Holmes
Rebecca is an artist, art educator and administrator. She completed a Bachelor of Fine Art at the University of Newcastle in 2010 and a Master of Art Curatorship at the University of Sydney in 2013. Rebecca moved to Hobart to work as an Art Educator at the Tasmanian Museum and Art Gallery,  where she started the TMAG Children’s Festival. She now works as the Visual Arts Program Officer at the Moonah Arts Centre.

Liam James
Tasmanian born artist Liam James completed his Bachelor of Contemporary Art at the University of Tasmania in 2010 with Honours from the Australian National University in Canberra in 2012. Now based in Hobart, he has shown work in various galleries across Tasmania, and has exhibited nationally and internationally.He has an accompanying curatorial practice that has seen him involved with artist run initiatives, and project based exhibitions that inform and compliment his practice. James works primarily with photography, creating evocative scenes and portraits rich with references to Australian art history, his personal identity and the wider canon of art. Each image cleverly critiques its place in this dialogue, and provokes questions from the viewer about the discomfort of belonging, and our understanding of art and local history as it is presented to us and by whom.

Emma Luimes
Emma Luimes is a local freelance writer. She graduated from the University of  Tasmania with a Masters in Journalism, Media and Communications. She currently writes for Warp, the Tasmanian Arts Guide and Undertow. She has previously written for Aphra, New Spotlight, The Holland Times, Togatus and The Apple.

Pippa Mott

Pippa Mott (1990, Melbourne, Australia) is an emerging curator, currently living and working in Hobart, Tasmania. She obtained a Bachelor of Arts (2009-2012) from the University of Sydney, majoring in Archaeology and Art History, and completed further study in the field of Curatorship at the Royal College of Art in London.

In her current role as Curatorial Assistant at The Museum of Old and New Art (Mona), Pippa curates and project manages a wide range of museum exhibitions, site-specific artworks, and festival projects. Previously, she has held roles at the Art & Australia Magazine, The Festivalists, Ecomuseum Cap de Cavalleria, The Nicholson Museum and the Australian Museum, and participated in a curatorial residency program at AiR 351 in Cascais, Portugal. 

Amy Parker

Nadia Refaei


Nadege Philippe-Janon
Nadege Philippe-Janon is an interdisciplinary artist currently based in Hobart, Tasmania. Her practice explores the inextricably interlinked nature of systems, beings and materials, and spans across 2D/3D, installation, animation and video.

Emily-Rose Wills
Emily-Rose is a young professional and creative living and working in Hobart, Tasmania. She is currently working as the Music Cluster Administrator at Mona following a 2.5 year stint in Functions Sales and Administration.Prior to locating to Hobart in early 2016, Emily-Rose was situated in the north of Tasmania, working with the likes of Junction Arts Festival, Sawtooth ARI, Stompin Youth, Party in the Paddock Festival, Falls Festival and The Village Festival, whilst completing a Bachelor of Contemporary Arts with UTAS. Her skillset spans the realms of marketing, communications, programming, administration, artist liaising and event management; and her creative inclinations lean towards place attachment, psychogeography and an understanding of home.








CONSTANCE is an off-site, project based A.R.I based in nipaluna / Hobart. CONSTANCE is focused on creating critical dialogues and engagement within, and  beyond, the local Tasmanian arts community through supporting experimental and critical praxis.




Facebook >>

Instagram >>









CONSTANCE acknowledges and respects the palawa people as the traditional and ongoing owners and custodians of lutruwita. We pay our respects to elders past, present and future, and acknowledge that sovereignty has never been ceded.

Constance ARI 2018 program is assisted
through Arts Tasmania by the Minister for the Arts..



                           



                      

Mark